benhästen

I am a photographer. I like lurchers.


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maudkristina at gmail dot com

Sep 15, 2009 10:52pm
Via Married to the Sea - 10/09

Via Married to the Sea - 10/09



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Sep 13, 2009 3:45pm
(photographer unknown)
“Beautiful Girl in Red Dress, tintype, ca. 1870”
Via Paul Cava Fine Art

(photographer unknown)

“Beautiful Girl in Red Dress, tintype, ca. 1870”

Via Paul Cava Fine Art



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Sep 13, 2009 3:32pm
Roald Dahl
Photo by Carl Van Vechten

“We always say to scriptwriters and directors that they should look at the original manuscript. There are five manuscripts for each book at least.” They are also taken into the little hut in the garden where Dahl wrote. “I think it’s very inspirational. How do you write an adaptation of anything without seeing the source? Tim Burton burst into tears. When I said to him, ‘Why do you want to make a film of James and the Giant Peach?’ he said, ‘It was the only book that gave me any hope as a child’.”
Liccy says: “It’s very important on both sides. For them to feel the original manuscripts and the way it was written and for us to feel them.” By “us” does she also mean Roald? “He’s still here.” Does she feel him in the house? “Yes, yes, yes,” she says quietly.
Via Times Online: Roald Dahl’s widow, Liccy, recalls her life with the real BFG

Roald Dahl

Photo by Carl Van Vechten



“We always say to scriptwriters and directors that they should look at the original manuscript. There are five manuscripts for each book at least.” They are also taken into the little hut in the garden where Dahl wrote. “I think it’s very inspirational. How do you write an adaptation of anything without seeing the source? Tim Burton burst into tears. When I said to him, ‘Why do you want to make a film of James and the Giant Peach?’ he said, ‘It was the only book that gave me any hope as a child’.”

Liccy says: “It’s very important on both sides. For them to feel the original manuscripts and the way it was written and for us to feel them.” By “us” does she also mean Roald? “He’s still here.” Does she feel him in the house? “Yes, yes, yes,” she says quietly.

Via Times Online: Roald Dahl’s widow, Liccy, recalls her life with the real BFG



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Sep 13, 2009 3:30pm
Frida Kahlo, New York, 1941 
Color print, assembly (Carbro) process
Photo by Nickolas Muray

Via George Eastman House

Frida Kahlo, New York, 1941

Color print, assembly (Carbro) process

Photo by Nickolas Muray



Via George Eastman House



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Sep 13, 2009 2:52pm
Skateboard
Photo by Arthur Tress

Skateboard

Photo by Arthur Tress



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Sep 12, 2009 5:26pm

Dear Deer by Kate Micucci

Watch in HQ here

Music video for LA singer/actress/comedian Kate Micucci



Directed by Raul B Fernandez

Keanu Pence as the Deer
Fionn James as the Hunter



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Sep 12, 2009 1:00am
Photo by J.B. Schmidt, 1918
Children of St. Rita’s School for the Deaf, Cincinnati, signing
the Star Spangled Banner.


Via Dr. X’s Free Associations

Photo by J.B. Schmidt, 1918

Children of St. Rita’s School for the Deaf, Cincinnati, signing

the Star Spangled Banner.



Via Dr. X’s Free Associations



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Sep 11, 2009 10:21pm
American actor and director Dennis Hopper on the set of his film “The last Movie”, 1971.
Image by Apis/Sygma/Corbis (exact photographer unknown)

“The Last Movie was actually to be Hopper’s first. Inspiration hit him in Durango, Mexico, during the making of the John Wayne western The Sons of Katie Elder - ‘I thought, my God, what’s going to happen when the movie leaves and the natives are left living in these Western sets?’ Hopper hoped to make The Last Movie in 1966 but the project fell through when music producer Phil Spector withdrew financial support; his opportunity came in the wake of Easy Rider. Universal gave Hopper $850,000 and total autonomy (including final cut), so long as he stayed within budget.”
Big thanks to the excellent Selvedge Yard

Full article in the Village Voice

American actor and director Dennis Hopper on the set of his film “The last Movie”, 1971.

Image by Apis/Sygma/Corbis (exact photographer unknown)



“The Last Movie was actually to be Hopper’s first. Inspiration hit him in Durango, Mexico, during the making of the John Wayne western The Sons of Katie Elder - ‘I thought, my God, what’s going to happen when the movie leaves and the natives are left living in these Western sets?’ Hopper hoped to make The Last Movie in 1966 but the project fell through when music producer Phil Spector withdrew financial support; his opportunity came in the wake of Easy Rider. Universal gave Hopper $850,000 and total autonomy (including final cut), so long as he stayed within budget.”

Big thanks to the excellent Selvedge Yard



Full article in the Village Voice



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Sep 11, 2009 10:01pm
(photographer unknown)

(photographer unknown)



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Sep 11, 2009 9:59pm
Q: What’s the most curious record in your collection?
A: In the seventies a record company in LA issued a record called “The best of Marcel Marceau.” It had forty minutes of silence followed by applause and it sold really well. I like to put it on for company. It really bothers me, though, when people talk through it.
Tom Waits’ True Confessions

Photo by Jean-Baptiste Mondino

Q: What’s the most curious record in your collection?

A: In the seventies a record company in LA issued a record called “The best of Marcel Marceau.” It had forty minutes of silence followed by applause and it sold really well. I like to put it on for company. It really bothers me, though, when people talk through it.

Tom Waits’ True Confessions



Photo by Jean-Baptiste Mondino



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Sep 11, 2009 9:39pm
(photographer unknown)

(photographer unknown)



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Sep 10, 2009 11:54pm
Still from Love and Death on Long Island
(photographer unknown)

Still from Love and Death on Long Island

(photographer unknown)



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Sep 9, 2009 10:16pm
Caliban
 Charcoal on buff paper 
Odilon Redon via Musée d’Orsay


“Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometime voices That, if I then had waked after long sleep, Will make me sleep again; and then in dreaming, The clouds methought would open, and show riches Ready to drop upon me, that when I waked I cried to dream again.”
Shakespeare’s The Tempest: Act 3, Scene 2

Thank you membrane

Caliban

Charcoal on buff paper

Odilon Redon via Musée d’Orsay



“Be not afeard; the isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again; and then in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.”

Shakespeare’s The Tempest: Act 3, Scene 2



Thank you membrane



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Sep 7, 2009 9:13pm
Elvis Presley kisses a fan at the Oakland Auditorium 6/3/56
Photo: Bob Campbell/The San Francisco Chronicle

Found thanks to thisrecording

Elvis Presley kisses a fan at the Oakland Auditorium 6/3/56

Photo: Bob Campbell/The San Francisco Chronicle



Found thanks to thisrecording



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Sep 7, 2009 9:02pm
Unidentified friend and dog
(photographer unknown)
The Colley albums
Via Beniah Brawn - Paul Frecker

Thank you to wings and fins for the reminder

Unidentified friend and dog

(photographer unknown)

The Colley albums

Via Beniah Brawn - Paul Frecker



Thank you to wings and fins for the reminder



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