benhästen

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Oct 30, 2011 6:31pm
The Church or the World
Photo by: James Craig Annan, 1893
Printed (Druck): Georg Büxenstein & Comp.
Photogravure - Chine-collé

Author William Buchanan, in his article titled:  J. Craig Annan, International Pictorialist, comments on this photograph:       “The title The Church or the World could suggest a late Pre-Raphaelite  canvas by Holman Hunt. A girl, seated on a pony, is attended by two  robed figures. She has arrived at a moment of consequence: she must  decide between embracing religious vows or remaining in the frivolous  world. From the start the fates conspired against Annan’s unfortunate  print. In the way of picture titles it often appeared incorrectly. The  Church and the World gives a very different connotation to the  scenario. Annan’s occasional fondness for printing an image in reverse  also worked against it. As a result she became a most indecisive lady. Sometimes she faced one way, sometimes the other.”
“In France, Robert  Demachy praised it… (translation): “he successfully overcomes one of the  greatest difficulties in photography: allegory… However it took all the  artistry and subtlety of this remarkably gifted artist to obtain this  result”.

Via Photoseed

The Church or the World

Photo by: James Craig Annan, 1893

Printed (Druck): Georg Büxenstein & Comp.

Photogravure - Chine-collé

Author William Buchanan, in his article titled:  J. Craig Annan, International Pictorialist, comments on this photograph:

     “The title The Church or the World could suggest a late Pre-Raphaelite canvas by Holman Hunt. A girl, seated on a pony, is attended by two robed figures. She has arrived at a moment of consequence: she must decide between embracing religious vows or remaining in the frivolous world. From the start the fates conspired against Annan’s unfortunate print. In the way of picture titles it often appeared incorrectly. The Church and the World gives a very different connotation to the scenario. Annan’s occasional fondness for printing an image in reverse also worked against it. As a result she became a most indecisive lady. Sometimes she faced one way, sometimes the other.”

“In France, Robert Demachy praised it… (translation): “he successfully overcomes one of the greatest difficulties in photography: allegory… However it took all the artistry and subtlety of this remarkably gifted artist to obtain this result”.

Via Photoseed



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