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“We always say to scriptwriters and directors that they should look at the original manuscript. There are five manuscripts for each book at least.” They are also taken into the little hut in the garden where Dahl wrote. “I think it’s very inspirational. How do you write an adaptation of anything without seeing the source? Tim Burton burst into tears. When I said to him, ‘Why do you want to make a film of James and the Giant Peach?’ he said, ‘It was the only book that gave me any hope as a child’.”
Liccy says: “It’s very important on both sides. For them to feel the original manuscripts and the way it was written and for us to feel them.” By “us” does she also mean Roald? “He’s still here.” Does she feel him in the house? “Yes, yes, yes,” she says quietly.
Via Times Online: Roald Dahl’s widow, Liccy, recalls her life with the real BFG